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Music and Values By
Eddy Bugnut
For those rare musicians infected
with a desire to create true original music an
understanding of the relationship between a
composer and his work is beneficial. At the core
of this relationship is the fact that music
reflects a musician's values. What are values
and how are they expressed in music?
A value is anything that is
important to someone. It might be a glass of
water on a hot day, the trust of a friend, or a
state of mind like peace, love, or freedom. It
might also be crack-cocaine or a new bass
guitar. A value can be defined as "that which
one acts to gain or keep" and therefore it is
the object of an action. 'Something' is of value
to 'someone' and that 'someone' has to act in a
certain way in order to acquire, achieve, or
maintain that 'something'.
How then does
music express a musician's values? Before a
composer begins creating a work he often has a
general idea of the type of the work he wishes
to create. He might know, for example, if he
wishes to conform to a certain format, or not.
Does he choose to create upbeat pop or more
dramatic styles of music? One way to gain
insight into a composer's values is to determine
his motives for creating a particular type of
work. If a composer decides to create a piece of
music because it happens to be in fashion at the
time and by creating it he will increase his
chances of becoming rich and popular and having
sex with many beautiful women then, in such
cases, the values moving him to action are
money, public adoration, and sex. If on the
other hand a composer chooses to create a work
because it reflects a general mood or overall
sense he feels inside then the work might be
considered to be an expression of an emotional,
or spiritual, value. Oftentimes, a composer's
highest value is the cathartic nature of the
creative process.
In order to create a
particular type of work a composer must make
those choices during the selection process that
best allow him to realize that type of creation.
It should be noted that goals and values are
closely related and that goals are properly
based on values. Some musicians value simplicity
and some, technical virtuosity. The process of
musical selection, of choosing which elements
are important enough to include in the music,
and which are not, is based on those values a
musician holds both inside and outside of music.
What types of scales and chords will he need to
use in order to support the mood he wishes to
express? What kind of groove is required for an
accurate expression? Will the nature of the
expression be dramatic, or subtle? By answering
these types of questions further insight is
gained into a musician's values.
In some
music, particularly pop music, there are
different layers to these expressions. Pop music
is an art form where collaboration is the norm
rather than the exception. In other words, there
is often more than one person involved in the
music creation process. A composer might write
only music while a lyricist writes words. A
group of musicians may then perform selected
songs with the guidance of a producer who
provides direction based on an overall concept
derived from the individual songs, the performances, and
the expectations of the marketplace. At each
stage specialists in their field are making
value judgments. This brings us to the concepts
of synergy and compromise.
The concepts
of synergy and compromise are opposites when
considering collaborations. If collaborators on
a project have similar music values and each
participating party has similar end goals then
the resulting work is often a product of
synergy. In such cases the parties choose to
create a relationship whereby decisions are made
according to an end concept mutually agreed upon
by the collaborators. The resulting work created
by this type of synergy may be more fully
realized than it would be otherwise. Contrarily,
if music values are not similar between
collaborators and an end concept is not agreed
upon at some point during the creative process
the resulting work often deteriorates into a
product of compromise and inferiority.
Understanding how the process of music
creation and values are related can give those
musicians who dare to be different the
confidence to stand alone in the face of great
opposition. By being aware of values and how
they are being expressed in music an artist can
be psychologically armed to protect himself from
those who do not share his ideals and in fact,
may resent them. He will be able to see how
other's criticisms arise directly from a
comparison to a set of values which may have
been compromised, or sold out, in favor of other
values. It takes epic effort to create something
truly unique and original. At every turn there
are those who argue that it is impossible to
create something new and that it is a waste of
time to even try. These naysayers ask questions
like, "How dare you try to be original?" and
"What makes you so special?" Because of this,
extreme confidence is a key ingredient for those
musicians who crave to be original. This special
breed of musician must have a deep-rooted belief
that his work is strong and valid even in the
absence of something obvious to compare it to.
Non-conformity is not recommended for most but
for some, it is the highest power. There is no
right or wrong way to create music; the art
simply reveals the artist.
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